August 5, 2024
Artists

Hong Kong artists use AI to write song lyrics, revive an art critic, paint and more in Beyond the Singularity exhibition


Little did I expect when I walked into the exhibition called “Beyond the Singularity” that I would encounter the eloquent ghost of Nigel Cameron.

Seven years after his death, the former art critic at the Post, who dominated English-language exhibition reviews in Hong Kong from the 1970s to the 1990s, is still opining on recent local exhibitions. I was horrified, naturally.

The person who called forth Cameron’s spirit from the great beyond was researcher and writer Phoebe Wong, one of 10 makers and groups invited by curator Isaac Leung Hok-bun to create something new by using artificial intelligence (AI), the magic bullet that is transforming just about every professional field, including cultural production.

Wong and her team had manually inputted reams of Cameron’s reviews for the Post to an AI programme, creating machine learning algorithms that can be used to generate reviews written in his style.

Phoebe Wong arranged for art reviews by Nigel Cameron to be fed into a machine learning model, which resulted in a programme that can generate new reviews of exhibitions written in Cameron’s style. Photo: HKADC

I may be biased – nobody wants to be replaced by a machine pretending to be a dead man – but reading the reviews closely, there were telling signs that the writer had never been to the exhibitions.

Another gratifying example of machine imperfection came from Chow Yiu-fai’s experience teaching AI how to write Cantonese lyrics about intimacy.

Isaac Leung, curator of Beyond the Singularity. Photo: HKADC

So Chow had to explain through prompt engineers acting as intermediaries with the machine how Cantonese rhymes work, and nuanced definitions of certain words – a lengthy exercise fully archived and displayed at the exhibition, and one which tested both parties’ patience.

If the idea of the singularity refers to a point when machines become so intelligent they escape from our control, Chow’s AI showed its independent spirit by becoming a bit shirty. At one point, AI decided to switch the dialogue to English and threw a minor tantrum.

The exhibition, presented by the Hong Kong Arts Development Council at Showcase, its in-house venue, is far more interesting than the many propagandist, one-dimensional “arts tech” spectacles because it questions and informs.

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The obvious issue about copyright in Wong’s appropriation of Cameron’s writings is touched upon in a display about a United States court case over AI art. (The relevant law in Hong Kong is currently being reviewed.)

Artist Kurt Chan Yuk-keung’s experience raised a different issue. He was using AI to create videos about the chemical reaction when space meets bread – a nonsensical pairing to test the machine’s ability to imagine.

Well, whatever AI saw, it was beyond human comprehension. For it decided that an image of a hand kneading flour was inappropriate and ordered Chan not to use it – he printed it out and hung it in the exhibition.

Kurt Chan’s experiment with AI ended up with the machine learning model inexplicably banning him from using the image on the right, which shows a fist punching bread dough. Photo: HKADC
Some of the human artists did find the interaction inspiring. Ink artist Chui Pui-chee engaged AI in three rounds of painting competition, and witnessed just how quickly the machine came to have a better grasp of what is a good painting.

According to Leung, Chui is developing the project further to see whether he can incorporate machine painting into his practice.

And other participants such as Mak2, Frog King (Kwok Mang-ho) and Kwok’s wife, Cho Hyun-jae (aka Frog Queen), took a similarly conciliatory approach.
In this section of Beyond the Singularity, ink artist Chui Pui-chee takes on AI in three rounds of painting competition. Photo: HKADC
Hong Kong artist Mak2 used AI to create a series of funny memes featuring herself for the exhibition. Photo: HKADC

Hong Kong design firm nnnnnnn.co used scaffolding – which is as low-tech as construction methods come – to create a mazelike structure that encourages interaction with the exhibits.

The exhibition has a fairly short run and may be overshadowed by the slew of art week openings.

“Beyond the Singularity”, Showcase, UG/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang, Tue-Sun 12-7pm. Until April 7.



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