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A paid for ad feature for viagogo. Camden is one of London’s key cultural hotspots. But NME’s not here for the iconic market, the street food, or the day drinking. Instead, we’re at Roundhouse, which has hosted the free music festival Limitless Live since its inception. The brainchild of Tolu Farinto, who founded Limitless in

If Nicole Eisenman were not there to make them acquainted, the paintings she makes in the morning wouldn’t recognize those she makes in the afternoon. Her artworks, the subject of a glorious career retrospective at the Museum of Contemporary Art Chicago, feel like determined exercises in how to bear the complexity of her own mind.

A while ago I posted on social media that I would love an event that celebrates work specifically from solo-developers, so that projects made by “just one person” don’t have to constantly compete with work created by teams. Making work on your own is difficult when you’re held to such high standards. The conversation kind

The Olympics-style structure of the Venice Biennale is special because it’s unique, but it is also unique for a reason: art and nationalism—even the soft, cultural kind—rarely align in their goals. This consideration was on Sir John Akomfrah’s mind as he prepared to represent the United Kingdom at the prestigious exhibition.  The 66-year-old artist, well-known

The artist Roni Horn considers herself an “off brand” in more ways than one. “I’m not even sure I’m a visual artist,” she said recently during a visit to her large Manhattan studio, incongruously located in a high-end Chelsea apartment building. Those statements may sound self-deprecating coming from someone with four solo exhibitions at galleries

VENICE, Italy — A pair of nude feet — dirty, wounded and vulnerable — are painted on the façade of the Venice women’s prison chapel, the work of Italian artist Maurizio Cattelan and part of the Vatican’s pavilion at the Venice Biennale contemporary art show in an innovative collaboration between inmates and artists. That Cattelan