Published on February 21, 2020 Herve Lewandowski You’d be forgiven for thinking the European Fine Art Fair (TEFAF) Maastricht is stuck in its ways. Over the course of its 32-year history, the Netherlands-based fair has established itself as a mecca for those hunting old masters and antiques, all while largely ignoring both the modern and
The words “fine art” have got to be some of the most misused and abused in photography. For a term that is pretty much meaningless, it’s quite impressive. The likes of Peter Lik definitely haven’t helped with this problem, and nor have countless print labs around the world. Let’s be clear: making something black and white does
Convelio, a Paris-based logistics tech startup in the fine art industry, has raised a €9 million in Series A round led by Acton Capital, with support from an existing investor, Singapore-based Global Founders Capital. Founded in 2017, Convelio is a digital tool and freight forwarder that delivers to over 70 destinations. Its dispatch algorithm considers
This article is more than 3 years old. formed of a graduated row of old European and old mine cut diamonds which detach to form a rivière necklace. This is surmounted by scroll and cluster motifs, interspersed with curved tines and topped with graduated pear-shaped diamond-set motifs, gold and diamond Length necklace 42 cm (16.5
Patrick van Maris has announced he will leave The European Fine Art Fair (Tefaf) at the end of May after five years as its president and chief executive. Van Maris, who was previously managing director of Sotheby’s Europe from 2008 to 2012, will remain in his post to oversee the next Tefaf Maastricht (7-15 March)
According to UBS’s Art Market Report, there were almost 300 international art shows in 2018 across every continent, with about 52% of the fairs in Europe. The travel and energy necessary to see most of these have been leading to a phenomenon called “fair-tigue”. Thankfully, you don’t have to cross an ocean to find
The fall edition of the ever-luxurious European Fine Art Fair (Tefaf) has quickly become a fixture of New York’s autumn art calendar since it launched four years ago to “renew interest in categories of historical art that have not received the attention they deserve” in the US, according to the then-chairman Willem van Roijen. This
For the October 31 opening of TEFAF New York Fall, the latest edition of The European Fine Art Fair to fill the Upper East Side’s Park Avenue Armory, attendees sacrificed an evening of trick-or-treating to surround themselves with masterworks. Between getting drinks from the bar and enjoying a collection of oysters and hors d’oeuvres on
When the European Fine Art Fair arrived in New York and set up in Park Avenue Armory four years ago, it was enough to be exactly what it was: a fair that boasted European old master paintings and antiquities and catered to museum curators and high-end connoisseurs. Several years in, Tefaf is examining its clientele
Norman Wilfred Lewis (American, 1909-1979) AbstractSigned and dated “NORMAN LEWIS. 66” l.l.Oil on canvas, 38 x 56 in. (96.5 x 142.2 cm), unstretched, unframed.Condition: Prominent craquelure and flaking with losses, rippling resulting from being rolled. Provenance: Private collection, Massachusetts. N.B. By the mid-1940s, New York painter Norman Lewis had abandoned the figurative, social realist style