For lovers of antiquities and classic European art, the second installment of Tefaf New York Fall last week offered Old Masters, glittering armor and ancient Egyptian works of art, bringing a little bit of Europe to the Park Avenue Armory in mid-autumn. With dozens of art fairs popping up across the U.S. and the globe,

The European Fine Art Fair (TEFAF), one of the world’s largest art fairs, has come to its second year in New York. Established in 1988, TEFAF is an annual art, antiques and design fair organized by the European Fine Art Foundation in Maastricht, Netherlands. With exhibitors from the world’s leading galleries from 20 countries, TEFAF

01 Nov, 2017 | Wed | 19:06 The European Fine Art Fair (TEFAF), one of the world’s largest art fairs, has come to its second year in New York. Established in 1988, TEFAF is an annual art, antiques and design fair organized by the European Fine Art Foundation in Maastricht, Netherlands. With exhibitors from the

The European Fine Art Fair at the Park Avenue Armory is an elegant event during which wealthy collectors browse through booths of stunning art pieces, from ancient sculptures to works by early 20th-century masters. So it raised a few eyebrows on Friday afternoon when two prosecutors and three police officers marched into the armory at

Photo: Benjamin Lozovsky & Carl Timpone/BFA.com Amy Astley and Mitch Owens The design world, and seemingly most of the Upper East Side, turned out for the opening of the New York edition of The European Fine Art Fair at the Park Avenue Armory last night. Spread between three floors were flowers flown in from the

The European Fine Art Fair, known as TEFAF and held every March in the southern Dutch city of Maastricht, had a reputation for stability: the same dealers year after year, bringing their choicest paintings, furniture, and diamond brooches to a well-heeled collector base. But a roiling art market, and increasingly eclectic tastes, led the Dutch

This article is more than 6 years old. TEFAF New York 2017. ©2017 Shannon Heylin. The art market’s orientation to, if not obsession with, “the contemporary” is understandable from a supply and demand perspective. A majority of A-plus historic works is in museums, private collections or the inventories of modern and contemporary dealers. When masterworks

The European Fine Art Foundation (Tefaf) has a new chairman. Nanne Dekking, the chief executive and co-founder of Artory, will take over from Willem van Roijen, effective immediately. Dekking previously served as vice chairman and worldwide head of private sales at Sotheby’s, and was for 11 years employed by Wildenstein & Co. Artory, which he

‘La Mangia, Siena’ (1927) by John Taylor Adams, American (1887–1953), etching on wove paper. Gift of Thomas B. Brumbaugh, professor of fine arts, emeritus. This summer the Vanderbilt University Fine Arts Gallery exhibit American Artists and the Legacy of the Grand Tour, 1880–1960, explores work created and brought home by American artists, and the continuing

Before Frieze set up its swinging shop in London’s Regent’s Park, before Art Basel transposed its staid Swiss self onto Miami Beach, art fairs were small, concentrated events that targeted a narrow class of specialists. None was more connoisseur-driven than the European Fine Art Fair, or Tefaf, the granddaddy of old masters events, held every