Gallery Review Europe https://galleryrevieweurope.com Fri, 07 Mar 2025 23:42:00 +0000 en-US hourly 1 https://galleryrevieweurope.com/wp-content/uploads/2023/11/cropped-Gallery-Review-Europe-32x32.png Gallery Review Europe https://galleryrevieweurope.com 32 32 PAINT CHQ Mural Program Seeks Artists | News, Sports, Jobs https://galleryrevieweurope.com/artists/paint-chq-mural-program-seeks-artists-news-sports-jobs/ https://galleryrevieweurope.com/artists/paint-chq-mural-program-seeks-artists-news-sports-jobs/?noamp=mobile#respond Fri, 07 Mar 2025 23:42:00 +0000 https://galleryrevieweurope.com/artists/paint-chq-mural-program-seeks-artists-news-sports-jobs/

The Chautauqua County Partnership for Economic Growth (CCPEG) is launching the PAINT CHQ initiative to help focus on the important role public art plays in placemaking and strengthening local communities. Coordinating the effort is A H Public Spaces Consulting, LLC, which has assisted with other community mural projects around the country, including the one pictured here in Fort Wayne, Indiana.
Submitted photo

The Chautauqua County Partnership for Economic Growth, in collaboration with the Chautauqua County Department of Planning & Development, is pleased to announce a new public art initiative intended to highlight and bring new interest to local communities.

The PAINT CHQ mural program will focus on holding a countywide festival later this year that involves the creation of large public murals in various Chautauqua County communities.

For 2025, the communities of Dunkirk, Falconer, Sherman, and Westfield will participate, with a PAINT CHQ Festival planned for the second week of September. As part of the initiative, Professional artists are being sought to create the artwork and are being asked to submit a Request for Qualifications by March 16. Full details, including a link to the RFQ form, can be found at ChooseCHQ.com/PaintCHQ.

To help coordinate and oversee PAINT CHQ, CCPEG will be working with A H Public Spaces Consulting, owned and operated by Alexandra Hall. Hall is an award-winning professional studio artist and muralist based in Fort Wayne, Indiana. Hall has worked on public art projects across the country, including Upstate New York. The consulting group will work with CCPEG to select artists, seek public input and feedback, hold community engagement workshops, and also develop and coordinate a PAINT CHQ Mural Apprentice Program.

“The goals of PAINT CHQ follow those of other art mural festivals around the country,” Hall explained. “They include highlighting community assets, embracing the value of public art investment, bringing visitors to participating communities, encouraging economic growth, building a foundation for more public art investment, and improving quality of place. It will also help in the effort to grow regional pride, while garnering significant attention and exposure nationally.”

Each PAINT CHQ mural will be installed simultaneously as part of the inaugural festival in the second week of September 2025, with events taking place throughout the county. According to Hall, the festival atmosphere will draw media attention and outside visitors, while inviting local residents to be part of the public art creation. The festival will culminate on the final day of the event, Sept. 13, when all the murals are complete and celebrated.

As part of the buildup to the PAINT CHQ Festival in September, steering committees are now being developed in each of this year’s participating communities, with a goal of developing a design brief to help the artists better understand what makes Chautauqua County unique and to ensure certain elements and themes are incorporated into the final mural design. PAINT CHQ Community Workshops are also scheduled at the following dates for each respective community:

– Tuesday, March 11 at 11 a.m. at the Cornerstone Restaurant, Sherman

– Tuesday, March 11 at 5 p.m. at SUNY Fredonia Center for Innovation and Economic Development, Dunkirk

– Wednesday, March 12 at 11 a.m. at the Patterson Library, Westfield

– Wednesday, March 12 at 5 p.m. at the Firemen’s Exempt Hall, Falconer

Anyone who wants to provide input, but is unable to attend the workshops, is encouraged to provide their thoughts by completing the PAINT CHQ Public Art Feedback Survey. As noted earlier, an RFQ has also been issued for the initiative, with local and regional artists strongly encouraged to apply. Local artists who are interested in learning more about how to install a mural anywhere in the County can also apply to participate in the PAINT CHQ Mural Apprentice Program.

“Artists are strongly encouraged to apply to participate in this project. Local artists who are interested in learning more about how to install a mural may also apply to participate in the apprentice program, which is meant to offer aspiring artists an opportunity to garner valuable experience installing large-scale murals,” Hall said. “This is an excellent resume builder for an aspiring muralist! Volunteer apprentices will be paired with experienced muralists and asked to help assist in the mural installation during the festival. Apprentices may learn how to scale a design to fit a building, learn about different mediums, and expand their artist-network.”

“While we don’t always think about art as an economic development driver, it certainly can be,” said Nate Aldrich, County Economic Development Coordinator and CCPEG Manager. “As our team tackles multiple economic development priorities, projects like these can also help to improve our communities and create a sense of place by providing unique offerings that are interesting and attractive, while also being interpretive. PAINT CHQ, in conjunction with our many other initiatives, contributes to making our Main Streets more attractive and inviting, while also building community pride.”

Initial funding for PAINT CHQ has been provided by CCPEG. Additional funding may come from grant applications, local foundation support, and corporate sponsorships.

“Our overall goal is to make this a successful event for not only this year’s participating communities, but for all of Chautauqua County,” Aldrich added. “This will help ensure the initiative will return each year with other participating communities, making PAINT CHQ an annually celebrated and anticipated event for all of the County’s residents, businesses, and visitors.”

More information about PAINT CHQ can be found at ChooseCHQ.com/PaintCHQ.



Source link

]]>
https://galleryrevieweurope.com/artists/paint-chq-mural-program-seeks-artists-news-sports-jobs/feed/ 0
SXSW 2025: Ivan Cornejo, Gale and other Latin acts to check out https://galleryrevieweurope.com/artists/sxsw-2025-ivan-cornejo-gale-and-other-latin-acts-to-check-out/ https://galleryrevieweurope.com/artists/sxsw-2025-ivan-cornejo-gale-and-other-latin-acts-to-check-out/?noamp=mobile#respond Fri, 07 Mar 2025 14:15:00 +0000 https://galleryrevieweurope.com/artists/sxsw-2025-ivan-cornejo-gale-and-other-latin-acts-to-check-out/

Now in its 37th year, South by Southwest, the annual arts and tech conference that runs March 7-15 in Austin, Texas, has no shortage of stellar Latin music acts on its roster.

On March 11, we at De Los will host our second annual SXSW showcase at Mala Fama. Arsenal Efectivo, Edgar Alejandro and Midnight Navy will star in the program, which you can find here.

In the meantime, below are 10 essential Latino performances we’ll be penciling into our schedule, listed in chronological order.

Vanessa Zamora
March 11 at Flamingo Cantina
10-10:40 p.m.

The daughter of Mexican pianists, bilingual indie darling Vanessa Zamora upped the ante by mastering the acoustic guitar, keyboard and drums to craft her own dreamy, psychedelic approach to pop music.

She will perform a second show March 14 at Vaquero Taquero from 10-10:40pm.

El Dusty
March 10 at Coconut Club
11-11:45 p.m.

Corpus Christi-based DJ and cumbia electronica pioneer El Dusty will be on the decks, melding soul, reggae and house with his homegrown Tejano groove.

He will perform a second SXSW showcase on Wednesday at Rivian Park from 3-3:40 p.m., as well as a third performance Thursday at Hotel Vegas from 12:40-1:20 a.m.

Trooko
March 11 at Coconut Club
12:45-2 a.m.

Grammy-winning Honduran producer Trooko has been credited on a number of acclaimed releases, including records by Beyoncé, M.I.A., Residente and Lin-Manuel Miranda’s “The Hamilton Mixtape.” Yet this year, Trooko will go back to his roots by spinning at La Subcultura’s epic club night.

Blood Club
March 12 at Elysium
8-8:40 p.m.

Hailing from the South Side of Chicago, the post-punk romantics will usher in the moonrise at SXSW on multiple nights. Their festival dates are a preview of their North American No Llores Tour, which will see the band passing through the U.S. and Mexico before landing at the Regent Theater in Los Angeles on May 18.

Their second official SXSW showcase will take place March 15 at Las Perlas from 10-10:40 p.m.

Gale
March 13 at the Moody Theater
7:45 p.m.-8:15 p.m.

The Latin Grammy-nominated singer-songwriter Gale (pronounced “gah-leh”) packs a punch in her indie-tinged pop music. Lauded as the “Latin It Girl” by Rolling Stone, the Puerto Rican starlet will grace the stage at its “Future of Music” showcase.

Valé
March 13 at Cuatro Gato
8:20-9 p.m.

Si necesitas reggaetón: Valé. The Baranquilla native brings punk baddie energy to her perreo- and R&B-infused dance tracks like “Fit Mami” and the newer “Arrebatao.”

Twin Shadow
March 13 at Coconut Club
9:30-10:30 p.m.

The Dominican American synth-pop hero will tease new songs from his sixth studio album, “Georgie,” a tribute to his late father. After years of cutting up dance floors with guitar tracks like “Five Seconds” and “Saturdays” (with Haim!), “Georgie “ will be his first album sans drums. Get into it.

He will also perform a second show March 14 at Central Presbyterian Church from 10-11 p.m.

Ca7riel & Paco Amoroso
March 13 at the Moody Theater
9:35-10:20 p.m.

Quirky Argentine MCs Ca7riel & Paco Amoroso enjoyed a career breakthrough last year with their appearance on NPR’s “Tiny Desk” series, which became the No. 1 most-watched episode of 2024. “With ‘Tiny Desk,’ we feel that we hacked the system,” said Amoroso in an interview with De Los this week. At SXSW, they’ll serve an encore.

Oya Baby
March 13 at the Speakeasy Kabaret
10:50-11:05 p.m.

The audacious Cuban MC Oya Baby cut her teeth as a backup dancer for Pitbull, Bad Bunny and Flo Rida before she signed a record deal with the latter’s International Music Group label. She shared an electric collaboration with Miami hip-hop legend Trina in her 2022 single “Ride the Stick” and bounced back in January with a swaggering reggaeton single, “Perra.”

Ivan Cornejo
March 13 at the Moody Theater
10:55 p.m.midnight

Música Mexicana’s prince of darkness will command the Moody Theater on Thursday night with releases from his outstanding 2024 LP “Mirada,” as well as his first hit, “Está Dañada,” which debuted on the Billboard 100 when he was just 17.



Source link

]]>
https://galleryrevieweurope.com/artists/sxsw-2025-ivan-cornejo-gale-and-other-latin-acts-to-check-out/feed/ 0
First Friday Arts: shows, artists and live music in Charlotte this March | WFAE 90.7 https://galleryrevieweurope.com/artists/first-friday-arts-shows-artists-and-live-music-in-charlotte-this-march-wfae-90-7/ https://galleryrevieweurope.com/artists/first-friday-arts-shows-artists-and-live-music-in-charlotte-this-march-wfae-90-7/?noamp=mobile#respond Fri, 07 Mar 2025 13:17:00 +0000 https://galleryrevieweurope.com/artists/first-friday-arts-shows-artists-and-live-music-in-charlotte-this-march-wfae-90-7/

Do you have any plans for the month of March? Maybe some live music? A show? Maybe a date night with a friend or partner?

Here to help you plan your calendar for March is our First Friday Arts panel. This month, we’re joined by Pat Moran covering arts and local music for Queen City Nerve, also Jesse Boykin Kimmel covering local theater for Y’all Weekly, and Rubie Britt-Height, WFAE’s director of community engagement.

They spoke with WFAE’s Nick de la Canal.

Nick de la Canal: All right, Jesse, once again you are up first. What’s catching your eye for this month?

Jesse Boykin Kimmel: Hey! I’ve got a few things to talk about. This weekend only The Lotus Project, founded locally by J Stage Community Theatre veteran Susan Cherin and Kayla Piscatelli, will perform “Spring Awakening,” a 2006 musical based on the play of the same name from 1891.

“Spring Awakening” is about adolescent self-discovery and youth revolt in a world controlled by grown ups. The Lotus Project has added a content warning for themes of sexuality and does not recommend this show for audience members under the age of 15, but that is being produced at The Arts Factory at West End Studios.

Davidson Community Players wraps up its run of "The Minutes" the weekend of March 7 - 9, 2025.

Curtain Call Photography

/

Davidson Community Players

Davidson Community Players wraps up its run of “The Minutes” the weekend of March 7 – 9, 2025.

Up Interstate 77 in my hometown of Davidson, the Davidson Community Players end their run of “The Minutes,” which is a dark comedy about an upstart town councilman who, after being away for just one town council meeting, returns to find that secrets are being kept from him, and the minutes from last week’s meeting are missing. What happened? Find out at Davidson Community Players at their theater on Armour Street. There are three more performances, including the one at 7:30 tonight.

Also — sorry I’ve got a list — Agatha Christie’s “Witness for the Prosecution” opens tonight at Lee St. Theatre in Salisbury, and later in March we have “Continuity” from Charlotte Conservatory Theatre on March 21. Theatre Charlotte opens the musical “Violet,” and Davidson Community Players in association with Charlotte’s Off-Broadway opens Charlotte original, “A Small and Humble Erasure.”

"Wash Day" by Linda Keene.

Mitchell Kearney Photography

/

Art Pop Street Gallery

“Wash Day” by Linda Keene.

De la Canal: Love it. OK, Rubie, let’s move to you. I think you’re looking into some visual art and museum happenings?

Rubie Britt-Height: Absolutely. You know March is Women’s History Month, and so a lot of activities also are going on around women and celebrating them. So Art Pop Street Gallery is going to have a great art market this Saturday at Le Meridien Charlotte hotel. They’ll have 10 talented artists from wooden robot maker ZeroPopArt, Indigenous Catawba potter and basket maker Teresa Dunlap, and cultural fiber artist Linda Keene. So many others with various talents and gifts that they’re bringing.

Then later on in the month, we have at the Bechtler Museum of (Modern) Art, Queens March 2025. This is a showcase that celebrates the legacy of Black women in music and fashion. So you’ve got the visual, you’ve got the performing, you’ve got culinary arts with chefs that are going to be doing the dishes. This is a ticketed event, and it supports the IMAC Global Academy, with opportunities for those students over there who they mentor.

De la Canal: All right, Pat, you’re going to get the last word here, and I think you’ve got some live music events on your calendar.

Springadelia takes place March 6 - 8, 2025 at Snug Harbor.

Springadelia takes place March 6 – 8, 2025 at Snug Harbor.

Pat Moran: I do, I do. This is like getting a jump on spring. There’s sort of a spring theme going here. It’s Springadelia. It’s at Snug Harbor. It’s three nights, two stages, 24 performers, plus four visual artists that are doing light shows.

This is a psychedelic event — like psychedelic rock, but basically the music is all over the map. There’s Celeste Moonchild, who does kind of a neo-soul thing. There’s La Brava which is Lisa Ortiz. It’s a solo, electro-Latin act that she does.

Also, I mean there’s so many good national acts coming through. I had to pick one, and I picked these German techno nerds, Kraftwerk, and entire genres of music wouldn’t exist if it were not for these nerds from Germany. They had a huge hit with an album called “Computer World” in 1981. They were singing about home computers long before anyone had such a thing. That is March 17 and that’s at Bojangles (Coliseum.) It’s going to be an immersive multimedia show, and basically they were one of the first to do an immersive multimedia show.





Source link

]]>
https://galleryrevieweurope.com/artists/first-friday-arts-shows-artists-and-live-music-in-charlotte-this-march-wfae-90-7/feed/ 0
Variety of programs at Expressive Path Creative Arts Center keeps growing https://galleryrevieweurope.com/visual-artists/variety-of-programs-at-expressive-path-creative-arts-center-keeps-growing/ https://galleryrevieweurope.com/visual-artists/variety-of-programs-at-expressive-path-creative-arts-center-keeps-growing/?noamp=mobile#respond Fri, 07 Mar 2025 11:39:00 +0000 https://galleryrevieweurope.com/visual-artists/variety-of-programs-at-expressive-path-creative-arts-center-keeps-growing/

1 of 5

Expand

NORRISTOWN — Expressive Path’s annual Spring Fling scheduled for April 25, its yearly Art in the Park and the group’s multiple visual arts and music offerings for 12 through 19-year-olds — among them, its recent, well-attended karaoke night — might well belie the organization’s modest beginnings.

When longtime social worker Pamela Martin started the Norristown-based program, her motivation was simple: “I worked in child welfare and, then, senior welfare for 20 years,” (and) I’ve always felt that teenagers, especially those not involved in sports, often get the short end of the stick when it comes to opportunities.”

Martin’s emphasis was “mobile programming.” She worked from a home office and oversaw a teaching “staff” of two. Along the way, she borrowed space at Norristown’s Centre Theater and used Montco SAAC for storage, a setup that allowed “limited” in-house programs.

Eleven years later, Expressive Path Creative Arts Center is headquartered at 857 Cherry Street, and its diverse roster of theater, dance, music, the visual arts and the humanities — both mobile, virtual and on-site — is headed by 22 teachers and a staff that includes Education Director Cory Hoover, Creative Activities Coordinator Audrey Freedman, Tech Specialist Derek Slopek and (planned at press time) Operations Manager Anthony Bui. Most notable, the hundreds of kids who’ve participated in Expressive Path’s varied “workshops, exhibitions, public art and performance opportunities.”

Those opportunities play out in group or one-on-one sessions in a variety of local schools and non-profit centers and include virtual workshops conducted across this area’s five counties as well as collaborations “with local non-profits and community centers.”

“During the summer, Expressive Path runs a free creative arts camp, and on Friday nights, teens participate in our Expressive Path Community Creators social group, which helps them stay productive, safe and creative …(a) program made possible by Montgomery County,” Martin added.

Upcoming?

“We are honored to receive support from the Pennsylvania Commission on Crime and Delinquency for our two-year Peace Project,” the Expressive Path founder said. “This initiative will feature student-created installations that promote peace through an interactive scavenger hunt. Installation sites will include Recycle Read Repeat bookstore, Norristown Rotary Club Garden and Montgomery County Community College.”

Plans for expanding after-school options are in the works, with “support from the Neag Foundation making after-school STEAM programming possible.”

Already in place, “a large maker space where we are constructing a stage and rotating gallery for students and local artists.”

“Our technology hub includes 3D printing, strategic gaming and laser engraving,” Martin continued.  “Additionally, we are developing horticultural programming to help students learn about native plants and nature. Expressive Path projects are STEAM-based, emphasizing skill-building, collaboration, inclusivity and creativity (and) opportunities for students to work and intern for us, as well as further education support, such as scholarships.

“Since inception, we have welcomed 16 interns. Collaboration is important to us, and over the years, our partnerships and friendships have grown. We love being a part of the Norristown family and deeply believe that collaboration leads to stronger organizations and neighborhoods.”

Establishing a bricks-and-mortar hub was essential to that mission.

“Expressive Path wanted to ensure greater accessibility for underserved students, enabling them to walk or bike to us,” Martin explained. “Moving to Cherry Street made that vision a reality. Our focus on the creative arts, combined with STEAM education and character building, sets us apart from other non-profits in the Norristown community and arts organizations in general.”

Bottom line, she believes Expressive Path Creative Arts Center “is a launch pad for student creativity that reverberates throughout the community…(and) has grown from a vision to a vital force for positive change in the Norristown community and beyond.”

“Since its founding, the organization has dedicated itself to empowering youth through the arts, providing an outlet for creativity, self-expression and personal growth …(and) evolved into a cornerstone of artistic opportunity, particularly for under-served and vulnerable populations, including teens facing socioeconomic challenges, mental health struggles and crises.

“Our goal is to foster a sense of belonging, promote inclusivity, give our students something to look forward to and build an intergenerational creative arts and cultural center that can be enjoyed by all.”

Additional information:  610-331-3516 and www.expressivepath.org.

#



Source link

]]>
https://galleryrevieweurope.com/visual-artists/variety-of-programs-at-expressive-path-creative-arts-center-keeps-growing/feed/ 0
KCLS debuts new library cards featuring work of local AAPI artists https://galleryrevieweurope.com/artists/kcls-debuts-new-library-cards-featuring-work-of-local-aapi-artists/ https://galleryrevieweurope.com/artists/kcls-debuts-new-library-cards-featuring-work-of-local-aapi-artists/?noamp=mobile#respond Fri, 07 Mar 2025 10:16:00 +0000 https://galleryrevieweurope.com/artists/kcls-debuts-new-library-cards-featuring-work-of-local-aapi-artists/

The artwork of local Vietnamese American artist Stacy Nguyen is featured on new library cards for the King County Library System. 

“Dogs Camping was my third ‘dark horse’ and ‘non-serious’ concept offered up, and I was so amused and surprised it was picked and made it past the finish line!” she said.

Nguyen, also the former editor of the Northwest Asian Weekly, said KCLS expanded worlds and access for immigrant families like hers.

“The card is so meaningful to me because I love that my artwork can be held in someone’s hand. Art doesn’t just have to be on a wall and frame,” Nguyen said.

Also featured is the work of Stevie Shao, a Chinese American illustrator and muralist from Seattle. She draws inspiration from the plants and animals of the Pacific Northwest. 

Shao said she grew up participating in the summer reading programs, and in high school would kill time at the library reading magazines and looking for books. 

Shao champions environmental stewardship, racial justice, and preserving historic community roots.



Source link

]]>
https://galleryrevieweurope.com/artists/kcls-debuts-new-library-cards-featuring-work-of-local-aapi-artists/feed/ 0
Artists wanted for Roseville pool under planned renovations https://galleryrevieweurope.com/artists/artists-wanted-for-roseville-pool-under-planned-renovations/ https://galleryrevieweurope.com/artists/artists-wanted-for-roseville-pool-under-planned-renovations/?noamp=mobile#respond Fri, 07 Mar 2025 09:39:00 +0000 https://galleryrevieweurope.com/artists/artists-wanted-for-roseville-pool-under-planned-renovations/

TODAY FROM NINE UNTIL NOON. WELL, CALLING ALL ARTISTS A CHANCE FOR YOU TO HELP ADD A SPLASH OF COLOR TO ROSEVILLE’S SOON TO BE RENOVATED JOHNSON POOL. JOINING US NOW LIVE IS ANNIE STANKO, THE CULTURAL ARTS SUPERVISOR FOR THE CITY OF ROSEVILLE. ANNIE, GOOD MORNING. THANKS FOR BEING HERE. GOOD MORNING. THANK YOU FOR HAVING ME EXPLAIN THIS CALL OUT TO ALL ARTISTS THAT THE CITY IS DOING. YEAH. SO WE HAVE A COUPLE CALLED ARTISTS OUT THERE RIGHT NOW THAT ARE OUT RIGHT NOW. THE ONE THAT YOU’RE SPEAKING OF IS FOR OUR JOHNSON POOL. THIS ONE WAS MADE. MADE POSSIBLE, ACTUALLY THROUGH A SPONSORSHIP FROM UNION PACIFIC RAILROAD. SO WE ARE ASKING THAT ARTISTS SUBMIT PROPOSALS THAT HAVE A TRAIL OR THAT HAVE A TRAIN RAILROAD THEME AND THAT IT PROMINENTLY DISPLAYS THE UNION PACIFIC RAILROAD. WE’VE ALREADY HAD A HANDFUL OF PROPOSALS, AND THEY ARE INCREDIBLE. SO WE’RE REALLY EXCITED TO SEE THIS VIBRANT ADDITION TO ADDED TO JOHNSON POOL. SO DESCRIBE THE THEME AND SOME WHAT ARE SOME OF THE ELEMENTS THAT THE MURAL NEEDS? YEAH, WE WE LIKE TO KEEP OUR CALL TO ARTISTS PRETTY OPEN BECAUSE WE WE WANT TO CREATE THAT FLEXIBILITY WITH THE ARTISTS TO CREATE ESSENTIALLY WHATEVER THEY’D LIKE. AND THEN ONCE THEY ESSENTIALLY SUBMIT THE PROPOSALS, WE TAKE THEM TO THE SELECTION COMMITTEE AND THEN WE CHOOSE OUR ARTISTS, AND THEN THE MAGIC HAPPENS. WE WE DON’T REALLY PUT A LOT OF PARAMETERS FOR THIS ONE SPECIFICALLY BECAUSE UNION PACIFIC GENEROUSLY DONATED IN THE SPONSORSHIP. WE DO ASK THAT THEIR LOGO IS IS SHOWN. THEY JOHNSON POOL IS CURRENTLY BEING RENOVATED AND THE POOL IS NOW GOING TO BE A A TRAIN THEME. SO IT KIND OF ALL WORKS IN ONE BIG PICTURE. SO OUR MURAL IS REALLY JUST GOING TO BE A VIBRANT ADDITION TO THE INCREDIBLE RENOVATIONS THAT ARE HAPPENING THERE. YEAH, I LOVE THAT. OKAY, SO INTERESTED ARTISTS. WHAT STEPS DO THEY NEED TO TAKE TO EVEN BE CONSIDERED FOR DOING THE ARTWORK? YEAH. SO THEY CAN EITHER SEND ME A HARD COPY OF THEIR PROPOSAL, WHICH YOU CAN BRING TO THE MIGHTY MUSEUM AND HISTORIC SITE IN ROSEVILLE. OR YOU CAN SEND IT TO ME VIA EMAIL, WHICH MOST OF OUR ARTISTS DO. WHICH I CAN, I THINK YOU GUYS HAVE, BUT IT’S A DECENT GO AT ROSEVILLE, CA, US. THE CALL TO ARTISTS FOR THIS ONE SPECIFICALLY ENDS IN APRIL. WE CURRENTLY HAVE ANOTHER CALL TO ARTIST FOR THE PLACER VALLEY SOCCER COMPLEX, WHICH IS IN WEST ROSEVILLE, WHICH IS A 51 ACRE FACILITY. AND THIS PIECE IS MORE OF AN ART INSTALLATION, AND IT’S GOING TO BE FEATURED IN OUR NORTH PLAZA. AND THE MINDSET BEHIND THAT REALLY IS IT’S GOING TO BE A PHOTO FRIENDLY LANDMARK FOR THE COMMUNITY. AND THINGS TO KEEP IN MIND FOR THAT CALL TO ARTIST IS IT’S NOT THAT FACILITY IS NOT JUST GOING TO BE FOR SOCCER. IT IS CALLED THE PLACER VALLEY SOCCER COMPLEX. BUT WE’RE GOING TO HOST A SLEW OF OF SPORTING EVENTS. AND WE HAVE A HANDFUL OF ARTISTS THAT HAVE DONE THAT ALREADY. AND THEY’RE JUST IT’S INCREDIBLE. YEAH, EXCITING FOR SURE. ANNIE, THANK YOU SO MUCH FOR BEING WITH US. AND WE LOOK FORWARD T

Call out to artists: mural designs wanted for soon-to-be renovated pool in Roseville

Calling all artists — now’s your chance to add a splash of color to Roseville’s soon-to-be-renovated Johnson Pool.The city is putting a call out for artists to submit designs that will be up for consideration as a new mural at the pool site.According to the city’s website, the mural will celebrate Roseville’s rich history with the railroad while embracing the spirit of community and recreation. The selected design must feature a railroad or train theme and prominently incorporate the Union Pacific Railroad logo, connecting Roseville’s deep-rooted railroad heritage with the joy and inclusivity that Johnson Pool represents.Project details are as follows:Location: Johnson Pool, 100 D Street, Roseville, CA 95661Type: MuralBudget: $10,000Eligibility: Open to local, regional and national artistsEntry Deadline: April 4, 2025According to city leaders, a selection committee will review all proposals and select an artist based on creativity, relevance to the theme and ability to complete the project within the timeline.Annie Stanco, cultural arts supervisor for the city of Roseville spoke with KCRA 3 about the selection process and design elements.Click the video in the player above to watch the interview.Stanco said interested artists should submit their proposals to her at adstanco@roseville.ca.us. The selected artist must complete the mural within the allocated budget of $10,000, which needs to cover all materials, labor and related expenses.For more information, visit this link on Roseville’s website.See more coverage of top California stories here | Download our app | Subscribe to our morning newsletter | Find us on YouTube here and subscribe to our channel

Calling all artists — now’s your chance to add a splash of color to Roseville’s soon-to-be-renovated Johnson Pool.

The city is putting a call out for artists to submit designs that will be up for consideration as a new mural at the pool site.

According to the city’s website, the mural will celebrate Roseville’s rich history with the railroad while embracing the spirit of community and recreation. The selected design must feature a railroad or train theme and prominently incorporate the Union Pacific Railroad logo, connecting Roseville’s deep-rooted railroad heritage with the joy and inclusivity that Johnson Pool represents.

Project details are as follows:

  • Location: Johnson Pool, 100 D Street, Roseville, CA 95661
  • Type: Mural
  • Budget: $10,000
  • Eligibility: Open to local, regional and national artists
  • Entry Deadline: April 4, 2025

According to city leaders, a selection committee will review all proposals and select an artist based on creativity, relevance to the theme and ability to complete the project within the timeline.

Annie Stanco, cultural arts supervisor for the city of Roseville spoke with KCRA 3 about the selection process and design elements.

Click the video in the player above to watch the interview.

Stanco said interested artists should submit their proposals to her at adstanco@roseville.ca.us. The selected artist must complete the mural within the allocated budget of $10,000, which needs to cover all materials, labor and related expenses.

For more information, visit this link on Roseville’s website.

See more coverage of top California stories here | Download our app | Subscribe to our morning newsletter | Find us on YouTube here and subscribe to our channel



Source link

]]>
https://galleryrevieweurope.com/artists/artists-wanted-for-roseville-pool-under-planned-renovations/feed/ 0
Spotify unveils ‘Top Pakistani Women Artists’ to mark International Women’s Day https://galleryrevieweurope.com/artists/spotify-unveils-top-pakistani-women-artists-to-mark-international-womens-day/ https://galleryrevieweurope.com/artists/spotify-unveils-top-pakistani-women-artists-to-mark-international-womens-day/?noamp=mobile#respond Fri, 07 Mar 2025 05:17:00 +0000 https://galleryrevieweurope.com/artists/spotify-unveils-top-pakistani-women-artists-to-mark-international-womens-day/

Spotify unveils ‘Top Pakistani Women Artists’ to mark International Womens Day
Spotify unveils ‘Top Pakistani Women Artists’ to mark International Women’s Day

Spotify has finally released the list of Top Pakistani Women Artists 2024.

To celebrate the International Women’s Day on Friday, March 7, 2025, the music streaming giant unveiled lists that showcased the top singers of the country that are loved by the Pakistani females.

In the list shared by Spotify Pakistan, the “Top Pakistani Women Artists 2024”, who spellbind the country’s women last year with their outstanding songs and mesmerizing voices, were Annural Khalid, Nehaal Naseem, and Quratulain Balouch.

Related: Talha Anjum rules Spotify Global Impact List with jaw-dropping song count

It was also shared that female artists have seen a 28% rise in streams locally from 2024 to 2025.

P.C. Spotify
P.C. Spotify

Revealing the “Top Tracks of Women Artists Streamed by Pakistani Women”, Spotify shared the titles of three songs – Quratulain Balouch’s Faasle dominating the top spot, Hadiqa Kiani’s Hona Tha Pyar on second, while Nehaal Naseem’s Sadqay enjoyed third place in the list.

The “Most Streamed Spotify Playlists by Pakistani Women 2025” included Shaadi Hits, Hot Hits Pakistan, and Bollywood Central.

“Women in Pakistan’s music industry are making remarkable strides, and we’re proud to support their journey,” said Rutaba Yaqub, Senior Editor at Spotify for Pakistan & UAE.

Related: Neelam Muneer sets records straight on rumors about leaving showbiz after marriage

Meanwhile, it was also mentioned that Desi Hip-Hop remained that most streamed genre among Pakistani women, followed by Bollywood and Indian Indie.





Source link

]]>
https://galleryrevieweurope.com/artists/spotify-unveils-top-pakistani-women-artists-to-mark-international-womens-day/feed/ 0
Kamaʻāina artists selected for climate change action residency : Maui Now https://galleryrevieweurope.com/artists/kama%ca%bbaina-artists-selected-for-climate-change-action-residency-maui-now/ https://galleryrevieweurope.com/artists/kama%ca%bbaina-artists-selected-for-climate-change-action-residency-maui-now/?noamp=mobile#respond Thu, 06 Mar 2025 14:00:00 +0000 https://galleryrevieweurope.com/artists/kama%ca%bbaina-artists-selected-for-climate-change-action-residency-maui-now/

University of Hawai‘i at Mānoa educator Ben Fairfield, who creates musical instruments from trash, was one of four artists selected for the residency program. PC: DLNR

Four artists have been selected as the state of Hawaiʻiʻs Climate Artists in Residence, the Department of Land and Natural Resources announced Tuesday.

This program seeks to engage local artists in the co-development of Hawaiʻi’s Climate Action Pathways through creating works across a range of artistic media. The awardees stood out from a competitive applicant pool of 65 artists representing a range of media from throughout Hawaiʻi.

The selected artists will each receive a stipend of $5,000, plus $2,000 for materials.

ARTICLE CONTINUES BELOW AD
ARTICLE CONTINUES BELOW AD

They are:

  • Keisha Tanaka, an ʻōiwi photographer whose works capture the intimate moments that weave together the rich tapestry of her community’s stories.
  • Benjamin Fairfield, an educator whose work turns trash into music and musical instruments, reminding us that everything we attempt to cast away has potential, worth and purpose.
  • Gillian Dueñas, a Chamoru painter who uses art to connect with her ancestors and homeland while in the diaspora.
  • Erin Voss, a designer whose work visualizes the complex relationships between communities and ecosystems.

“The response to this call was truly stunning,” said Leah Laramee, state climate coordinator. “Our goal is to co-develop the Climate Action Pathways in a manner that speaks to people, and it is clear that art is one of those pathways.”

Through art, this unique program aims to inspire and connect Hawaiʻi residents to critical climate change challenges. The artists will engage in the development of key topics from the Climate Action Pathways, including cultural knowledge, land stewardship, energy efficiency, transportation decarbonization and community resilience.

ARTICLE CONTINUES BELOW AD

“The secure future of Indigenous communities is my priority. Discussions about climate change can be very traumatizing and anxiety inducing for our peoples, so I use art as a medicine and tool for instilling hope. I am thrilled to be working with native, Pasifika, local, county and state organizations to continue doing this work,” said Gillian Dueñas, one of the selected artists. “Our Pasifika ancestors have always been innovators and visionaries, and art is the legacy that they have left for us to inherit and use as a tool to sustain our peoples.”

Artists will participate in subject matter meetings throughout the year and will have the chance to visit related projects on the ground. The finished artworks will be exhibited at the Capitol Modern, the Hawaiʻi State Art Museum in Honolulu, from Oct. 1-31, 2025. This project, in partnership with the University of Hawaiʻi Sea Grant College Program, aligns with the State Climate Change Mitigation and Adaptation Commission’s mission to promote ambitious, climate-neutral and culturally responsive strategies for climate change adaptation and mitigation in Hawaiʻi.



Source link

]]>
https://galleryrevieweurope.com/artists/kama%ca%bbaina-artists-selected-for-climate-change-action-residency-maui-now/feed/ 0
Observer Arts Interviews: Aspen Art Museum Director Nicola Lees https://galleryrevieweurope.com/artists/observer-arts-interviews-aspen-art-museum-director-nicola-lees/ https://galleryrevieweurope.com/artists/observer-arts-interviews-aspen-art-museum-director-nicola-lees/?noamp=mobile#respond Thu, 06 Mar 2025 10:26:00 +0000 https://galleryrevieweurope.com/artists/observer-arts-interviews-aspen-art-museum-director-nicola-lees/

A portrait of a woman with shoulder-length blonde hair and blue eyes, wearing a white button-down shirt with the top buttons undone, standing in front of a bright window with a blurred cityscape in the background.
Aspen Art Museum director Nicola Lees believes artists can help us redefine what leadership looks like across disciplines. Photo: Flora Hanitijo

In 2017, it became universally accepted that artists were not just makers of aesthetic objects. They were wizards, shamans and, above all, thought leaders who could probably solve every problem facing us, whether personal or political. A few weeks ago, the Aspen Art Museum announced AIR, a ten-year initiative that seeks to make Colorado the home for this particular treatment of artists.

AIR is in its early stages but kicks off this July with the Artist-First Global Summit and promises “a path towards new futures with artists at the helm” by commissioning performances, artworks and research aimed at reshaping “the ways we relate to one another and address collective challenges.” Observer recently caught up with Nicola Lees, director of the Aspen Art Museum, to hear more about this ambitious initiative.

AIR feels like quite a new idea in museums—it strikes me as almost like TED talks with artists. Is that an accurate representation?

While AIR similarly foregrounds the communication of complex ideas to a broad audience, it is different in that its program of talks, commissions and performances draws upon a sublime landscape, leaning into art’s unique sensory capacities. Discourse and artmaking are hybridized within AIR’s new model. As such, AIR foregrounds the importance of process, experimentation and in-person experience. AIR is about establishing an environment where participants and the public can think differently while creating space for artists to take risks and engage in open-ended conversations that bridge the porous boundaries between disciplines.

AIR is, most importantly, a gathering of brilliant minds, and while most of the action will unfold on stage, what happens in the margins is equally significant. Set against the breathtaking backdrop of the mountains, AIR offers a rare kind of setting—one that encourages reflection, deep dialogue and unexpected connections. The conversations participants will have over breakfast, on a hike or while waiting for a program to begin mirror the informal, generative exchanges that shape the art world—through relationships, shared inquiries and moments of spontaneous insight. This intangible layer of knowledge-sharing is what makes AIR a vital addition to the landscape of contemporary cultural discourse, offering a space for intellectual risk-taking and artistic experimentation that resonates far beyond its immediate setting.

AIR is aimed at “investing in artists as leaders.” Could you unpack that idea? Who should follow artists?

Artists can help us redefine what leadership looks like at its core. Through their singular visions, artists have the potential to change the ways in which we see the world and relate to one another. They challenge assumptions, disrupt the status quo and reimagine what’s possible. In today’s rapidly evolving, increasingly unpredictable world, we need that kind of thinking more than ever. By investing in artists as leaders, AIR is recognizing their ability to shape not only cultural conversations but also the broader ways we understand and navigate society. Who should follow artists? I’d say anyone who’s interested in new ways of thinking—scientists, policymakers, entrepreneurs and anyone open to seeing the world through a different lens.

The initial iteration of AIR features some of my favorite artists: Paul Chan, Aria Dean, Álvaro Enrigue, Zoë Hitzig, Glenn Ligon, Maya Lin and Francis Kéré. How did you come to select these artists? What do they have in common?

Each works at the intersection of disciplines, whether that’s art and language, design and ecology, technology and philosophy, etc. They are all deeply engaged in questioning systems—be it history, identity, power structures or even the definition of life itself. What binds them together is not a single theme or aesthetic but a shared commitment to pushing the limits of how we think and create. We wanted AIR’s first year to reflect a broad spectrum of perspectives and approaches, and this group of artists brings that breadth in an extraordinary way.

An exterior view of a large modern building with a rust-colored lattice facade, surrounded by trees and outdoor sculptures, set against a backdrop of green hills and a partly cloudy sky.An exterior view of a large modern building with a rust-colored lattice facade, surrounded by trees and outdoor sculptures, set against a backdrop of green hills and a partly cloudy sky.
The museum’s inaugural AIR program, “Life As No One Knows It,” explores shifting definitions of life in an era of artificial intelligence and synthetic biology. Photo (c) Benjamin Rasmussen

The first slate of programming, “Life As No One Knows It,” takes its name from theoretical physicist and astrobiologist Sara Imari Walker’s book, which challenges conventional definitions of life. Can you explain that theme a little more?

Sara Imari Walker’s work asks us to rethink what we consider “life” and where its boundaries lie—especially in an age of artificial intelligence, synthetic biology and environmental change. We found that idea incredibly resonant with what artists do: expand our perception of reality and challenge established definitions. “Life As No One Knows It” is about looking at the world—and our place in it—in ways that move beyond the familiar. It’s about embracing the unknown as a generative space for art, thought and discovery.

AIR’s commissioned artwork has yet to be announced, but can you give me a sense of what it’ll be like? How will it differ from an artwork made for the museum?

Unlike a traditional museum exhibition, AIR’s commissions are site-responsive and immersive. The artists are invited to engage with Aspen itself—not just as a backdrop but as an integral part of the work. That could mean performances that take place in the mountains, installations that interact with the natural environment or projects that unfold over time, involving local communities. The works will be shaped by the unique context of Aspen, making them experiences that can’t be replicated elsewhere.

How should artists feel about artificial intelligence?

I’m not sure I am in a position to say how artists should feel about A.I., but I do think they are in a unique position to grapple with these developments because they understand creation as something deeply human yet constantly evolving. Some artists embrace A.I. as a tool; others critique it and many do both simultaneously. Like any new technology, its impact will depend on how we engage with it, and artists are among the best equipped to approach what is not yet known.

AIR takes its inspiration from the historic Aspen International Design Conference. What is it about Aspen that inspires such heady discussions? The altitude?

Maybe it’s the altitude! But more than that, it’s Aspen’s history and unique sense of place. Aspen has always been a destination where people come to think differently—it’s remote yet deeply connected, offering both solitude and dialogue. The Design Conference brought together radical thinkers like Susan Sontag, Robert Rauschenberg, John Cage and Gaetano Pesce, shaping conversations that still reverberate today. It was the first time Pesce came to America, and he would return many times, continuing to create work inspired by the landscape.

SEE ALSO: OMR Founder Patricia Ortiz Monasterio On Building Mexico’s Leading Art Gallery

It’s also where Maya Lin last visited in 1983—alongside Steve Jobs when he gave his seminal speech on technology and design. Lin will actually be back in Aspen for the first time this summer since that visit, now as part of AIR. Aspen’s spirit of innovation extends beyond art and design—it has also been a hub for technological experimentation. In the late 1970s, MIT researchers developed the Aspen Movie Map here, a groundbreaking precursor to virtual reality that allowed users to “walk” through Aspen’s streets digitally. This mix of avant-garde creativity and technological curiosity has long defined the town, making it a natural incubator for new ways of seeing and thinking.

That kind of intellectual and creative energy is woven into Aspen’s DNA. With AIR, we’re continuing that tradition but with artists at the center, exploring what the future might hold through the lens of contemporary art. By interacting with one another outside of a major city, I think artists are more inclined to forge connections where they otherwise might not. There’s a spirit of adventure inherent to this valley that encourages people to step outside of themselves. I look forward to seeing how that energetic shift will unfold across the field over the next decade as a result of AIR.

On Artists’ Potential to Change the World: An Interview With Aspen Art Museum Director Nicola Lees





Source link

]]>
https://galleryrevieweurope.com/artists/observer-arts-interviews-aspen-art-museum-director-nicola-lees/feed/ 0
Three pioneering female artists you might not know about https://galleryrevieweurope.com/artists/three-pioneering-female-artists-you-might-not-know-about/ https://galleryrevieweurope.com/artists/three-pioneering-female-artists-you-might-not-know-about/?noamp=mobile#respond Thu, 06 Mar 2025 07:38:00 +0000 https://galleryrevieweurope.com/artists/three-pioneering-female-artists-you-might-not-know-about/

This dramatic painting is a rarity for being one of the few 18th- century copies signed by the artist. That it is by the otherwise little-known painter Mary Hotchkis, and reproducing the work of another woman, makes it all the more remarkable.

Hotchkis appears to have been self- taught, possibly with the help of Stephen Slaughter (1697–1765), an artist and Surveyor of the King’s Pictures who painted a descendant of the Mordaunts in 1744. Her copy of Vertumnus and Pomona must have been completed before Hotchkis married Thomas Grace in December 1744, as thereafter she exhibited under her married name.

Along with artists such as Maria Cosway (1760–1838), Hotchkis was viewed by contemporaries as an exemplar of female professional independence. In 1762 she exhibited several works with the Incorporated Society of Artists, including what may be the self-portrait illustrated here (above left).

Elizabeth is probably depicted with her soon-to-be husband, John, Viscount Mordaunt. Vertumnus and Pomona were Roman deities of the seasons, trees and fruit of the orchard. According to Ovid, Vertumnus disguised himself as an old woman in order to infiltrate the garden of his beloved Pomona and woo her. The painting is unusual in depicting the moment at which a desperate Vertumnus drops his disguise and reaches for the startled goddess, who has previously rejected his advances. Pomona is shown as if about to flee, her fruit basket dropped in surprise. In Ovid’s version, her heart is finally captured by her youthful suitor.

The Mordaunts were staunch Royalists and at the heart of a spy ring known as the Great Trust, Elizabeth passing messages directly between her husband and the future King Charles II. Elizabeth probably sat for Princess Louise in The Hague. Both the original painting and Hotchkis’s copy descended through the families of Elizabeth Carey’s daughters.

Elizabeth Ratcliffe (c.1735–c.1810)

Image may contain Pattern Embroidery Art Porcelain Pottery Plate Stitch Flower and Flower Arrangement

Flower picture, attributed to Elizabeth Ratcliffe, c.1775, straw- work, paper, wire and wool, the gilt wood frame possibly by Thomas Fentham, 66 x 39cm, Erddig, Wrexham (NT 1151845)

© National Trust Images/Robert Thrift

In the State Bedroom at Erddig a delicate bunch of roses, pinks, carnations and violas (opposite) has drawn admiration for almost 250 years, in spite of the caterpillar crawling up one of the stems. It is just one of many remarkable creations by Elizabeth (Betty) Ratcliffe, lady’s maid.

Ratcliffe occupied an unusual and privileged position, as her employers encouraged (and benefited from) her creativity. Her work was cherished and valued by the Yorke family – specially commissioned stands display and protect her wonderful models of a pagoda and the Ruins of the Temple of the Sun at Palmyra. Ratcliffe had access to high-quality materials and, perhaps most importantly, the time granted to her to create work. When requested to draw a copy of a print for the writer and antiquarian Thomas Pennant, she was able to ask Philip Yorke, head of her household, for a necessary ‘sheet of the finest grain’d white Vellum’. A letter suggests the commission was negotiated through Yorke’s wife, Dorothy, after Pennant had ‘beg’d of Mamma’ to let Ratcliffe undertake the work.



Source link

]]>
https://galleryrevieweurope.com/artists/three-pioneering-female-artists-you-might-not-know-about/feed/ 0