Carl Andre: The artist who outraged Britain and was accused of murder

Carl Andre was a highly influential artist, but his death this week has revived memories of two of art’s most controversial episodes – one involving his “pile of bricks” sculptures, and the other surrounding the mysterious death of his wife.

Before he became infamous, Andre became famous for his pioneering ideas about what could be considered art.

After moving to New York to fulfil his dream of becoming an artist, a breakthrough came when he met abstract painter Frank Stella.

Seeing the uncarved side of a large beam of wood that Andre was working on, Stella remarked “that’s sculpture too” – a moment Andre said changed his life.

He realised art could be reduced to industrial essentials – arranging simple rectangular sculptures from raw materials like bricks, steel, aluminium and cedar blocks.

But ripping up the traditional rules of art was too radical for many.

His work caused an outcry in Britain in 1976 when it emerged that the Tate gallery had purchased his work Equivalent VIII – 120 bricks arranged on the floor – for £2,297, funded through taxpayer money.

“What a load of rubbish,” declared the Daily Mirror’s front page headline. Outrage and debate raged in the press for days, with many seeing Andre’s humble “pile of bricks” as irrefutable proof of the con of modern art.

“For a long time Andre’s bricks – which became known as the Tate bricks – caused great controversy, generated newspaper headlines, febrile arguments and any number of cartoons and jokey photo-opportunities.”

The divide between critical artistic pedigree and public perception continued in the US a year later, when the state of Connecticut bought an Andre work of 36 uncut boulders for $87,000. Hartford’s mayor publicly denounced the purchase for bringing “international ridicule” on the city.

But a different, darker controversy was to surround Andre after his third wife, Cuban artist Ana Mendieta, fell to her death from their 34th floor New York apartment in mysterious circumstances in 1985.

When he called 911, Andre told the emergency services the couple had been arguing about which of them was more famous. She went to the bedroom, “I went after her, and she went out the window”, he said.

But when later questioned by the police, he told a different story. He said they had been watching TV together and she went to bed before him, but when he went to join her she wasn’t there and the bedroom window was open.

The police noticed scratches on Andre’s face and body. Friends recalled that she had spoken about being afraid of his temper, and being terrified of heights.

When Andre went on trial for murder in 1988, a doorman testified to hearing cries of “No, no, no!” just before her body hit the ground. But prosecutors were prevented from introducing evidence that Mendieta was planning to divorce Andre because of his infidelity.

He did not testify, but his lawyers argued that his wife either fell accidentally or committed suicide. He was acquitted.

In the years after the trial, Andre continued to make and show his work, and be revered by many in the art world.

But the verdict left many others unconvinced, and his exhibitions became frequent targets of protests, with chants of “Where is Ana Mendieta?”

Mendieta’s own reputation has belatedly grown in recent years, and Helen Molesworth’s 2022 podcast Death of an Artist re-evaluated the court case and her treatment as a female artist through a post-#MeToo lens.

Andre died on Wednesday at a hospice at the age of 88, while suffering from dementia.

The art remains. And so do the questions.