Joseph Awuah-Darko, a prominent figure on the Ghanaian art scene, has taken to Instagram to accuse global star artist Kehinde Wiley of sexual assault. Awuah-Darko alleges that Wiley assaulted him twice at a June 9, 2021 dinner held in the artist’s honor at the Creative Art Council at the Noldor Artist Residency, which Awuah-Darko founded in 2020.
His May 19 post said that the first assault consisted of Wiley groping his buttocks while he was escorting Wiley and another guest up a flight of stairs to the bathroom. This contact was, he said, “categorically unwelcome and unprovoked.” He said it was witnessed by another dinner guest, who is not named; Awuah-Darko did not immediately respond to an emailed inquiry about the identity of this person.
“The second assault,” Awuah-Darko said, “was much more severe and violent.” He did not offer specifics.
Joseph Awuah-Darko at his home in London, with acrylic painting on paper by Salah El Mur. Photo: courtesy of Joseph Awuah-Darko.
Wiley has responded in an Instagram post, saying, “Someone I had a brief, consensual relationship with almost three years ago is now making a false accusation about our time together. These claims are not true and are an affront to all victims of sexual abuse. I have no idea why he has decided to target me in this way—particularly when there is a litany of evidence showing his claims are false—but I hope he gets the help he needs for whatever he is going through.
“I kindly ask for privacy as I work to clear my name,” Wiley concluded. Contacted via his gallery, Sean Kelly, and PR firm, the artist did not immediately respond to a request for further comment.
Awuah-Darko, who is a collector, artist, musician, writer, curator and entrepreneur, was born in London to a family of Ghanaian financiers and lives in Accra. He appeared on Forbes Africa’s “30 Under 30” list in 2019, where he was celebrated both as an artist and the managing director of the African Modern Art Fund. The Noldor Residency supports African and diaspora artists. He collects Ghanaian art stars such as Serge Attukwei Clottey and Gideon Appah.
Awuah-Darko posted an Instagram video on March 23 in which he said he had been assaulted but did not name Wiley. In his post from Sunday, he said that it took him several months to “reconcile” with what had happened and said that given Wiley’s stature as a gay man, “formally reporting this assault in a West African country like Ghana (where anti-LGBTQIA+ sentiments are prevalent) would have been problematic at best—dangerous at worst.”
He went on to allege that there are other victims of abuse at Wiley’s hands in New York (where the artist is based), Beijing (where he has a studio), Nigeria, and elsewhere; that other art world professionals “have quietly expressed witnessing this pattern of predatory behaviour [and] that this behaviour by Kehinde has been treated as an open secret within the art world for quite some time.”
Awuah-Darko did not immediately respond to an emailed request to expand on any of these claims.
His Instagram post concluded with a challenge to Wiley: “I thoroughly invite you to leverage your supposed credibility, your influence, your loyalists, and everything you have to gag those of us who come forward. Because I assure you, you will need it.”
Since his first show with Sean Kelly in 2012, Wiley has rocketed to international stardom. He received a U.S. State Department Medal of Honor in 2015 and ascended to even higher rungs of fame when he was commissioned to paint a portrait of President Barack Obama, which was unveiled in 2018. In 2019, he made another splash when he founded Black Rock Senegal, a residency program in that country’s capital city, Dakar.
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