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Tate launches new programme to increase the representation of Indigenous artists in its collection



Tate today announced a new initiative dedicated to bringing more work by Indigenous artists into its collection. Building on the success of recent acquisitions and custodianship agreements, this strategy seeks to create a step-change in the number of contemporary artists from Indigenous communities around the world whose work is represented at Tate.


The programme launches with a four-year commitment from the AKO Foundation to fund acquisitions of Smi and Inuit art from Northern Europe. This continues the AKO Foundations generous support of Tate over recent years, including for the exhibitionsOlafur Eliasson(2019), the Turner Prize (2021) andSurrealism Beyond Borders(2022), as well as a programme of events at Tate Modern to coincide with the UN Climate Change Conference COP26 in 2021.


Similar projects to research, collect and display the work of artists from other Indigenous communities will follow, including in South Asia, Oceania and the Americas. These will strengthen the work of Tates existing acquisition committees in these regions and further Tates commitment to championing art in all its diversity.


Karin Hindsbo, Director of Tate Modern, said We are beginning to see greater recognition of Indigenous contemporary artists around the world, as this years Venice Biennale demonstrates so brilliantly. Tate has long been dedicated to expanding the canon of art history and we can now take that work even further. Im particularly delighted that Smi and Inuit artists from Northern Europe an area of artistic practice very close to my heart will soon be represented in Tates ever-more-diverse international collection for the first time.


The first works to be acquired through the new fund will be Outi Pieskis woven hanging installationGurot ja guovssat / Spell on You!2020 and its companion pieceSkbmavuođđu / Spell on Me!2024 created during her residency at Porthmeor Studios in Cornwall. The artist has described how the laborious act of weaving these installations references ritual, sacrifice, redress, atonement, and the contradictory forces in Smi societies.


This will mark the first time a Smi artist has entered the collection, coinciding with Pieskis acclaimedexhibition at Tate St Ives(open until 6 May 2024) where the works are currently on display. On 28 April 2024 the artist will joina panel discussion at Tate Modernalongside Maree Clarke (Boon Wurrung, Mutti Mutti, Wamba Wamba, Yorta Yorta First Nations peoples, Australia) to discuss Indigenous contemporary practice and its relationship to the regeneration of land and culture.


Todays announcement reflects the growing commitment to Indigenous artists at Tate. Key works by artists from a range of communities have entered the collection in recent years, including Shuvinai Ashoona (Inuit, Canada), Abel Rodrguez (Nonuya, Colombia) and Edgar Calel (Maya Kaqchikel, Guatemala). An innovative joint-acquisition programme with MCA Australia, supported by a gift from the Qantas Foundation, transformed Tates ability to represent Aboriginal and Torres Strait Islanders art, as seen in Tate Moderns recent exhibitionA Year in Art: Australia 1992and the month-long display ofEmbassyby Richard Bell(Kamilaroi, Kooma, Jiman and Goreng Goreng peoples, Australia). In 2025 Tate Modern will stage the first large-scaleEmily Kam Kngwarray exhibitionever held in Europe, organised in close collaboration with the National Gallery of Australia.


Beyond its galleries, Tate has also driven important research and scholarship in this field, particularly through the work of theHyundai Tate Research Centre: Transnational. The post of Adjunct Curator of Indigenous Art was established by the Centre in 2019, held first by Pablo Jos Ramrez and now by Kimberley Moulton (First Nations Australia, Yorta Yorta peoples). This role works alongside Tates network of adjunct curators around the world to bring new perspectives on global art histories to the fore.


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About the AKO Foundation


The AKO Foundation was established in 2013 by the Norwegian philanthropist Nicolai Tangen, founder of AKO Capital. The primary focus of the AKO Foundation is the making of grants towards charitable causes which improve education, promote the arts and combat climate change.

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