Henry Moore’s Stringed Figure (1939), in the booth of London’s Offer Waterman, at TEFAF Spring 2017.
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The storied TEFAF, whose acronym originally stood for The European Fine Art Fair, returns to New York and the Park Avenue Armory for its spring presentation of modern and contemporary art. And while the Old Masters and momento mori galore of the fall edition are missed, the fair still showcases some gems, from a bronze and string Henry Moore, a suite of Fischli & Weiss C-prints, and, of course, roving oyster shuckers. Have a look at what’s on offer below. (And make sure to take a look at a full write-up by ARTnews reporter Nate Freeman here.)
View of the booth of Di Donna Galleries, New York, showing a pipe by Man Ray and a Salvador Dalí Lobster Telephone, at TEFAF Spring 2017.
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Roberto Sebastian Matta’s Fig Leaf (1945), in the booth of Robilant + Voena, at TEFAF Spring 2017.
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View of works in the booth of Phoenix Ancient Art, Geneva and New York, at TEFAF Spring 2017.
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Robert Motherwell’s The Sculptor’s Studio No. 2 (1963–64), in the booth of New York’s Paul Kasmin Gallery, at TEFAF Spring 2017.
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Francis Picabia’s La Lettre (1935), in the booth of Hauser & Wirth, at TEFAF Spring 2017.
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View of the booth of Axel Vervoordt, of Antwerp and Hong Kong, at TEFAF Spring 2017.
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View of the booth of Paris’s Reza, at TEFAF Spring 2017.
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Naum Gabo’s Linear Construction in Space No. 2 (1959), in the booth of Eykyn MacLean, at TEFAF Spring 2017.
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View of the booth of Galerie Meyer–Oceanic & Eskimo Art, Paris, at TEFAF Spring 2017.
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Maarten Baas at Carpenters Workshop Gallery, London and New York, at TEFAF Spring 2017.
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Detailed view of Jesús Rafael Soto’s Grand Tes Jaune (1979), in the booth of New York’s Perrotin, at TEFAF Spring 2017.
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Fischli & Weiss, Wurst-Series (Sausage Series), 1979, in the booth of Skarstedt, at TEFAF Spring 2017.
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Thomas Hart Benton, in the booth of Bernard Goldberg Fine Arts, at TEFAF Spring 2017.
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Jean-Michel Basquiat’s Thermopolae (1985), in the booth Patrick Derom Gallery, Brussels, at TEFAF Spring 2017.
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Philip Guston’s Garden, Roma (1971), in the booth of New York’s Barbara Mathes Gallery, at TEFAF Spring 2017.
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Wade Guyton at New York’s Petzel, at TEFAF Spring 2017.
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View of the booth of Paris’s Galerie Lefebvre, at TEFAF Spring 2017.
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View of booth of London’s Adrian Sassoon, at TEFAF Spring 2017.
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Jewelry designed by Niki de Saint Phalle and Sonia Delaunay, in the booth of London’s Didier Ltd, at TEFAF Spring 2017.
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View of the booth of São Paulo’s Bergamin & Gomide, showing work by Lygia Clark, left, and Hercules Barsotti, at TEFAF Spring 2017.
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Richard Prince’s Untitled (Protest Painting), 1994, in the booth of New York’s Stellan Holm Gallery, at TEFAF Spring 2017.
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View of the booth of Seoul’s Gana Art, at TEFAF Spring 2017.
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A 1962 chess set by Man Ray, in the booth of New York’s Francis M. Naumann Fine Art, at TEFAF Spring 2017.
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Pieter Laurens Mol’s La Fermentation Subite (1987), in the booth of London’s Hidde van Seggelen, at TEFAF Spring 2017.
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Henry Moore’s Stringed Figure (1939), in the booth of London’s Offer Waterman, at TEFAF Spring 2017.
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Sculptures by Thomas Schütte and Medardo Rosso, in the booth of New York’s Peter Freeman Inc., at TEFAF Spring 2017.
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Works by Lucio Fontana, in the booth of Tornabuoni Art, Florence and Paris, at TEFAF Spring 2017.
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View of the booth of New York’s Helly Nahmad Gallery, at TEFAF Spring 2017.
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Works by Ruth Asawa, in the booth of David Zwirner, at TEFAF Spring 2017.
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View of the booth of New York’s Tina Kim Gallery, showing work by Lee Ufan, top, and Park Seo-bo, at TEFAF Spring 2017.
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View of the booth of Zurich’s Galerie Gmurzynska, at TEFAF Spring 2017.
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Cy Twombly’s Roman Notes (1970), in the booth of Berlin’s Galerie Bastian, at TEFAF Spring 2017.
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Where the magic happens: a TEFAF roving oyster shucker.
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