Shyam Sharma, a renowned printmaking artist, professor and author, recently conducted an audio-visual presentation of his works at CLKA Open Hand Studio, Le Corbusier Centre, Sector 19, Chandigarh. The session was organised by Chandigarh Lalit Kala Akademi.
The engaging presentation was followed by an interactive session and Sharma, who is a recipient of Padma Shri, shared his vast knowledge with both eminent and emerging artists in attendance.
Born in Govardhan, Mathura, Sharma is known for his mastery in printmaking and innovative use of mediums. Trained under his grandfather, the legendary Nainsukh Sharma, he excels in reverse glass painting and theva work.
A former Principal of Patna University, Sharma has been shaping the sensibilities of young artists with such interactive sessions. He spoke about the history of printmaking and it’s evolution over the years.
Sharma is known for his use of indigenous material and technique in printmaking to explore and create something unique. Constantly innovating, he explores printmaking across various forms and surfaces. For him, printmaking is an art form that awakens something deep within. It requires one to develop an eye to truly see its beauty.
As he presented a slideshow of his creations, a black-on-black print and another white-on-white print made with handmade paper pulp stood out. Sharma likes to use clay blocks and flat wood to explore depth, and even experiments on objects and cotton surfaces.
Sharma talked about the many challenges involved in the process of printmaking, but he added that with passion and persistence, one could overcome these hurdles.
For the artist, tradition plays a significant role in his life and work, but at the same time he believes that parampara (tradition) is not rigid. It changes with the changing values of society. “Only by embracing our traditions can we reach new heights,” he said.
Print making, he noted, requires money, energy and hard work. He said, unlike other art forms, such as painting or sculpture, printmaking is not as widely practised, often due to a lack of awareness.
“Visual art is a blessing to society, one that fosters discipline and concentration. And at the same time, it’s the patron who adds value to a piece of art, he said.
